The stark white shoes displayed at the staircase of Platt Hall have a vunerability to them as they appear so fragile that it is as though they would crumble at the merest of touch. Each piece has its own narrative, such as the ballet slippers that appear to be frozen in motion.
Similarly, the hanging dresses in the main part of the exhibition almost look ethereal in their starkness in contrast to the rich surroundings.
Here the use of transfer print to depict vertebrae is also striking as it subverts the notions of innocence and femininity we might associate with the dress. The result is a bit disturbing but intriguing as it allows us to indulge in the macabre.
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